#13 Covering The Wings

November 19, 2013

I was not going to let this happen but here I am.  Nearly two months since a new post.  The longer I put this off the more difficult it becomes to keep the info organized and assembled into a coherent and accurate account.  I want to emphasize that I am learning as I go and what I have done up to this point is to merely convey that which some times turns out to be a major blunder or innocent error on my part so beware in what you take away should you decide to repair or build an Easy Riser!  I am using the Stits or now called Poly Fiber chemicals and process vs the Stewart system or the old tautening nitrate dope or Ceconite process.

Upper Left Wing Panel

The first swath of glue working from the center both span wise and chord wise.

I later on decide not to glue down the rib cap strips until last (after shrinking).  The root and tip tubes were glued down first using a couple clamps to hold down the opposite end with 3-4 pounds tension. I will soon find out that there is enough shrink available in this fabric to take out puckers and folds I was concerned would not come out and this was accomplished at only 250 F (actually, the Poly Fiber manual states 225F as the first pass temperature to use). I will also find out that the fabric will stand 400 F as measured on the small iron with no noticeable problems so I have plenty of margin to work with. In retrospect, it seems like the best process would have been to have glued down the entire perimeter of both the top and bottom blankets and iron the entire wing at a low temp (225F). This should allow a nice, even tension of the entire panel without having the ribs involved. After that is done, then the ribs would be glued down and a final shrink done at the lowest you need to use to just get the surface wrinkle-free (no more than 250 should be needed unless you did a really poor job of covering). With the frame I'm working with, I still don't believe I can do much better than about ¼ inch sag between the ribs (measured at the height of the leading edge) mainly because I seem to be so limited on the amount of span wise tension I can apply without putting a dog leg in the frame.

Poly Brush brush-on first coat complete. Notice the bottom panel is done first and left to dry overnight and then the frame is flipped and the top is then finished off so that I didn't have to rest the top panel surface coated with Poly Brush onto the bench surface and risk having the P Brush stick to the bench top.

Notice the paper slit templates laying on the table.

Arrived with the empty trailer ready to take this wing panel back to my shop and probably end up storing it until I get painting weather next spring. I don't think the weather is going to last long enough for me to finish two more wings so that I would be ready to spray paint.

Right Upper Panel.

First drew a glue line onto both top and bottom fabric tangent points for both the TE and LE directly onto the spars using the finger guide technique or FGT (rest your middle and ring finger on the spar as you move down the spar while holding the pencil between your index finger and thumb). This works really well and is fast to do. Applied full strength glue between these two guide lines for both spars and bottom surface rib caps. Cut the bottom blanket to length leaving about 3-4 inches of extra at each end (never needed more than that) and squared up the fabric on the frame. Pulled tension on the center section of the chord and clamped it at the root and tip. Beginning in the center of the span, glued a section of the rib caps working out to the root and tip.

Again, I later decide this is not the best process.  Better to glue down the cap strips after the shrinking step. Since this was an upper panel, I was using very light tension chord-wise tension for the top blanket. Forgot the sequence I used on the left wing and clamped the trailing edge root and tip with moderate span wise tension and burned the bracket slots. LE first is the best order to do this (the reverse of what I ended up doing on this panel).  Used a paddle tip on my soldering gun to burn both the TE mid and TE tip slots. Marked both sets of slits while fabric was tensioned. I left it tensioned and slipped a small piece of 4”X4”,¼ inch plate of plywood under the fabric and used it as a backer plate to burn against.

I then glued the TE starting at the middle bracket, working out to the tip and root ends using a very light touch chord-wise to just get the fabric smooth and no more. It is very easy to pull just a little bit more on each 2-4 inch tack which you just have to resist or you will end up with puckers where the last tack strip stopped.  Be checking as you work to make sure this isn't happening.

Next, I applied 3-4 lbs span wise tension on the LE, marked the bracket slots at the “just snug” chord-wise tension point and burned them. I proceeded to glue down the LE using very little chord-wise tension (just enough to pull the little pucker out right where the fabric hits the LE (fabric tangent point). Next, I finished up the rib cap strips all the way to the spars.  Using my fingers here to hold the fabric down on the cap strip....best to use a couple magazines for this like the plans say.  I did that later and it worked much better.

In tacking down the LE and TE, I stopped about 4 inches away from the tip curve and the root rib tube corner on both the spars and the rib tubes. I finished these four corner areas last.

I used the small iron set at about 350 and slowly worked the fabric around the tip curves and root camber arch. This time it worked really well mainly because I had not yet cut the excess fabric off and had something to pull on as I used the iron to heat form around the curves. I used a pencil to trace a fabric cut line onto the fabric right at the spar fabric tangent point using the FGT. I had already traced the glue boundary line onto the spar which I could see through the fabric as I draped it around the spar. I traced the cut line just shy of the glue line to make sure the glue held down the cut edge. Cut the extra fabric off both the TE and LE to wrap onto the spar AFTER double checking that I had finished heat forming the fabric around the tip curves and both tip and root rib curves past the glue line. I did not allow much more than what I needed to produce an inch and a quarter overlap for the top blanket. It took a fair bit of time to brush on 50/50 glue/MEK mix and glue it down to the spar. If you go at this carefully and only do a short section at a time (like about 4 inches) you will be able to smooth out the fabric and get it to lay down nice with no wrinkles or bubbles. This saved a lot of time later when I used the small iron to go all around the perimeter smoothing out all the air pockets, wrinkles and glue topography for a good, smooth fabric to fabric overlap joint. Noticed that I did not say at what point I burned the LE bracket slits in the #12 report which is a critical item. I will guess that I did it after gluing a center swath of rib caps out to the root and tip. This would give me some chord-wise constraint as I attempted to properly locate the slits and maintain minimum chord-wise tension.

Top Blanket

This is a shot of the upper right panel flipped and the top blanket being applied.

Tacking down the tip end.

The entire root and tip tubes are glued with moderate tension prior to starting on the spars (LE & TE). This shot show the results of detailed snipping and cutting to fit the fabric around the root rib tube LE spar joint.

A shot of typical ripples visible on the finished panel. These can easily be ironed out at around 225F.

Gluing the LE while propped up on a post for easy access worked well.

A look at the bottom blanket in final form prior to sealing.

During the sealing process, I applied the Poly Brush too heavily over the tape area and got these nasty solvent bubbles that I could not get out. I will try to remove them by brushing over these areas later with 65-75 Reducer. This is the only area this happened on and I think what happened was that I did not have the filler mixed in well enough which allowed a lot of solvent to go right through the fabric and get trapped on the tape surface.

Lower Left Panel

Trimming off excess fabric on the bottom blanket.

Leaving the excess fabric on while using the high temp small iron was best to get the fabric to conform around the tip curves and both rib tube curves.

Started the top side blanket on the lower left panel after assembling the upper panel to it with temp rigging wires and all struts in place including diagonals and rudder to check for fold down binding. There was none and the rudder rotated freely so I am calling it good enough. The only issue is that after folding the panels down the leading and trailing edges don't line up and are off about 2 or 3 inches at the tips. Since there is nothing I can do about this short of rebuilding the entire panel frames, I am going to push on (I had made this decision back when I repaired the upper left panel spar and was aware then that the panels were skewed relative to each other when folded down). The rudder control cable was too short to reach the rudder horn so I decided to disassemble the cable from the twist grip.

UFM shipped these assembled. Notice how they had attached the cable to the twist grip tube. The tube was padded with standard duct tape with the cable wrapped around the tube. Filament tape was then used to secure the cable to the tube and then the whole grip area was wrapped with what appeared to be bike handle wrap tape. Brian Porter suggests I fit mine with 90 degree “handles”. His opinion was that the twist grip is OK to learn on but after you spend an hour in the air, those twist grips get really tiring on the forearms.

I am going to put more span-wise tension on the lower panels than I did on the upper panels because they should be able to take more stress since they are shorter/stockier. This time around, I cut out templates from notebook paper to use in locating the bracket slits and it worked fine, no need to use heavier card stock paper and also easier to modify. The trick still remains as to the best way to locate the slits prior to burning them.

Top Blanket Process Steps;

1. burn the tip LE bracket slits
2. tension the fabric span-wise on the LE
3. mark position of mid-span bracket slits (after checking that the fabric drape is parallel to the LE...i.e. probably better not to mount the blanket crooked)
4. burn mid LE slits ALL GLUING FROM HERE ON IS ONLY A TACK LINE APPROX ½ INCH WIDE USING 50/50 GLUE/MEK (I did this because it allowed me to correct spots that weren't right later)
5. re-tension fabric and glue LE from root to tip (used very light touch here to avoid inducing puckers along the glue line). I ended up with a wrinkle and no way to pull it out on the tip as I glued down the LE tip curve (do the curve last)
6. tensioned TE span-wise leaving tip bracket outside clamped area, marked and burned the middle bracket slits. I was careful to apply almost no chord-wise tension when locating these slits...just barely enough to take out the chord-wise looseness.
7. Glued fabric from mid bracket out to the root end of the TE spar and then from the mid bracket out to the tip just shy of the tip bracket.
8. Did the best I could to mark the tip bracket slits and burned them. This was hard to do and I didn't get the location very good and ended up with some big, ugly slits to cover later. This bracket is so near the tip curve that it's by far the hardest bracket to locate slits for. Probably a better technique...I didn't find it.
9. Tack glued both the root and tip rib tubes then went over the entire top side blanket looking for loose spots and wrinkles. I used the big iron on low(225F) and did only spot ironing to tighten out the waves and puckers I could see. I then went back over with the small iron on high (350) and went after the smaller, more difficult wrinkles and folds and got nearly everything smooth.
10. Flipped the panel over and pulled the extra fabric over the spars snug so that the glue line I had drawn in as a guide in gluing up the spars was visible through the fabric. Used the finger guide against the spar technique (FGT) to sketch in my cut line onto the extra fabric with a pencil. Marked around the entire panel and then used the soldering knife tip to hot melt the cut line. I used an aluminum straight edge as a backing plate to cut against after finding that using a wood piece kept making the tip wander as it tried to follow the grain vs the cut line. I quickly concluded that using a hot knife to do this was a poor choice. A sharp scissors leaves a far superior (smooth & precise) fabric edge to glue down and takes less setup.
11. Glued the rest of the fabric wrap around each spar plus the root and tip ribs
12. Detailed the bracket slit areas to remove extra fabric and used the small iron to smooth things out at each bracket in prep for the cover patches. Marked and cut out cover patches as described previously except I found I could make the paper templates much easier with notebook paper vs card stock. Glued them in place using Poly Tak.
13. Decided on a 20 inch piece of reinforcement fabric (4 inch wide bias tape from Aircraft Spruce) to protect the TE tip section of the panel. Both the tips come into ground contact when the glider is parked so they get the most wear. Applied a glue line after marking it out in pencil. Glued down a section on the top surface inboard of the tip bracket and let it dry. Came back later and pulled tension on the tape, wrapping it around the TE tip curve and clamped it. Used the small iron starting in the middle of the curve and slowly ironed out all the wrinkles and then glued the top part only. Used the same method on the LE where I decided to add an additional piece of reinforcement tape although not quite as long....approx. 16 inches. I later read the Poly Fiber manual and realized I had done this wrong. Apparently all reinforcement tapes, including gusset patches applied onto the fabric are cemented on using only Poly Brush, not fabric cement (Poly Tak). The reason given is that Poly Tak cement is not flexible enough. Flipped the panel and penciled in the glue line for the reinforcement tape sections and used the small iron to smooth out the tape onto the glue area prior to wetting out the fabric.
14. Went over entire frame top and bottom with the small iron and smoothed out air pockets and patch areas. Used large iron to finish off the top surface after blocking in the washout (making sure the panel is properly blocked up prior to the final ironing allows you to see where you need to iron and where you don't since the frame is so flexible.

I discovered that Poly Brush solids (the ingredient that enables the fabric pores to be plugged) settle out and do not go into solution even after vigorous shaking. I had to stir the stuff off the bottom where it had settled out and gummed up. You can tell you're getting into it since it is white in color against the iron oxide red of the solvent mix. The Poly Fiber manual talks about the function of Poly Brush being to seal the fabric pores and some good discussion about the cause of pinholes and what to do about them. I was supposed to thin the Poly Brush with 65-75 Reducer (according to the Poly Fiber manual) but Ernie never dilutes Poly Brush with the first brush-on coat. I plan to use the Reducer when I brush coat the last wing just to see if I have less or more pinhole/bubble problems. I have now completed the first lower wing panel through Poly Brush sealing and am on to the last remaining wing panel. Here are the other photos of the progression on the first lower panel;

Used the side of my hand to apply even but very light tension chord-wise as I tacked the spars.

View of the tip end after tacking it in place. Loose areas like this one I released the tack and pulled most of it smooth and re-tacked it. What was left the iron took care of easily.

A shot of the TE tip area after tacking. Notice there are some folds that will need to come out with the iron.

I continue to screw up the bracket slit locations. Fortunately, these ugly holes are easily covered with the patches applied after Poly Brush sealing.

A shot of me using the FGT (finger guide technique described earlier) to draw the fabric cut line.

Here I am trying out the hot knife approach to cutting the fabric along the cut line. This did not work well. It required a backer plate to cut against, was hard to hold a straight line and also tended to form melt beads in the fabric since you cannot control the tip temperature. Use a good, sharp scissors instead.

Didn't read the manual and glued on this reinforcement bias tape to the high wear area on the TE tip along with all the gusset patches on this wing. All tapes and patches should be put on AFTER the first brush coat of Poly Brush per the manual since glue is too inflexible.

Finished with initial brush-on coat of Poly Brush.

Lower Right Panel

I will try to describe the best of everything I've learned for this last panel starting with the finished frame.

First off, I wrapped all the rib gussets with chafing tape (athletic tape works fine) as well as anywhere the fabric wraps over rivets or gussets to minimize wear on the fabric. The plans did not call for this but I think it's worth doing.

Used the FGT(see above) to draw glue lines onto the spars at the fabric tangent point. I did not strip the old glue (Super Seam) after the Poly Fiber tech told me these glues are compatible.

Applied full strength glue between these lines with a ½ inch brush with the frame propped up off the table with a support post for easy access rather than flipping the frame and having to make two, separate glue passes to get the glue area covered.

Applied glue to the bottom surface rib cap strips only. Save the top surface rib cap glue for later.

Bottom Blanket

Roll out the fabric and cut to length. Even out the overlap on both LE and TE and clamp the four corners so that the fabric slack is mostly pulled out. Tack down both the root and tip rib tubes with desired tension (3-4 lbs) alternating back and forth from root to tip to keep the fabric even. Stop about 4-5 inches away from the tip curve and the same from the root rib tube corners. Take out the chord-wise slack and apply 3-4 lbs tension to the LE fabric and clamp it in place. Tack down the LE starting in the middle and working out to within 4-5 inches of the root and tip rib tubes. Use a very light touch on chord-wise tension. The idea is to tack down the fabric along the straight line of tension you are applying parallel to the LE and resist pulling on it which only pulls it out of alignment. Repeat on the TE except this time you want to take out the chord-wise slack using enough tension to have a final, smooth fabric surface free of slack or major wrinkles. Continue to tack the root and tip rib tubes moving right on around the tip curve and the root rib tube and finish off both the LE and TE to completely join the tack lines. This is the easiest panel surface you have on the entire airframe (it's short and strong and also has no bracket slits to contend with). so do it first saving the upper panel bottom surfaces for last. You may get some small wrinkles and puckers especially in the root and tip sections which will have to be ironed out later so try to keep them from happening in the first place. Use the FGT and pencil in the cut line onto the fabric tail to be cut off all around the perimeter of the panel. Make sure you draw this slightly short of the glue area on the spars to ensure the fabric edge will hit glue when cut off and wrapped onto the spar. Use the small iron on high (350F) and heat-form the fabric around the tip curve. Best technique I found was to pull tension on the tail and wrap the fabric around the tube while working the iron around the tube. Start in the middle of the curve and work out and take some time. If you do, you will likely get zero pleats or wrinkles. Keep wrapping and forming until you are an 1/8 inch past the cut line. Work the rib camber curve area in the same manner for both the tip and root. There is also some detail cutting and snipping to be done to fit the fabric around the root rib tube where it joins the TE and LE. Using a sharp scissors, cut off the excess fabric and begin the finished gluing of the entire frame perimeter. I used the same order as I did to tack the fabric. If the glue lines you penciled in are not still easy to see, re-trace them now. You will need to be able to see them through the top blanket fabric.

Top Blanket

Set the panel up onto a support post and apply full strength glue between the glue guide lines you drew for the bottom panel. Keep the glue from going past the edge of the fabric which should stop right at the fabric tangent point. If you don't, when you do final gluing of the top blanket, the fabric can stick down past the tangent line and form little puckers just inboard on the spar and they are almost impossible to get out while maintaining very light chord-wise tension.

Lay the panel flat on a table with a washout support block in place and apply glue to the rib cap strips going right on over the filament tape. Go extra heavy over the anti chaffing tape because it will absorb the glue like a sponge.

Rolled out the fabric and cut it with about 4 inches extra on both ends.

Tacked down about 12 inches on the root rib tube just aft of the last LE tape strip using maybe 4-5 pounds of tension (a bit more than the bottom because you need the tension to hold the fabric up between the ribs so support the small amount of chord-wise tension you'll need to apply to get a smooth fabric surface that won't flutter in flight.

Repeat on tip. Ended up with some small span-wise waves and puckers which will come out when I apply a little chord-wise tension later on.

Extended gluing on both root and tip tube ribs stopping short of the tip curve and the spars at the root end.

Tacked down the LE starting at the root out to the tip. Very light touch on chord-wise tension. Just barely enough to avoid a pucker at the fabric tangent point on the LE spar.

Clamped LE at tip and root with moderate tension to locate and burn the middle bracket slit.

I made a paper template to pencil trace the slits onto the fabric prior to burning them.

Applied final LE tension and located tip bracket and burned it in.

Starting from the middle bracket, tacked the LE to the root and then to the tip stopping short of the curve at the tip.

Clamped moderate tension on TE and located, then burned the middle bracket slits with just enough chord-wise tension to just take up the slackness in the fabric without any pull down between ribs.

Proceed to tack glue the LE from the middle bracket to the tip and then to the root stopping short of the tip curve.

Applied final tension of TE (guessing 4-5 lbs) and located, then burned the tip bracket slits. Again, with minimal chord-wise tension. There should be almost no detectible pull down between ribs in the area just aft of the last span of filament tape.

Tack glue the TE beginning at the middle bracket to the tip and then to the root stopping short of the tip curve.

Tack glue the tip rib using light span-wise tension. Work from the center of the tip rib tube out to the LE and then repeat out to the TE and continue right on around the curve. Tack a thin strip approx. ¼ wide right at the fabric tangent line.

Tack the root rib tube the same way except pull moderately strong span-wise tension as you glue(4-5 lbs?). If you are careful, you should have almost no wrinkles, folds, puckers or pleats. Even after all the practice I've had doing this, I still get some but they come out with the iron at 225F. Any left after that, I hit with the small iron set at high (350F).

Fix any problem areas if needed by releasing the tack line with MEK and re-gluing. With the panel bottom side down on the table, wrap the excess fabric around the spars and trace a line onto the fabric right over the cut line you drew on the spars.

Heat forming to the curves

Take the small iron and slowly work the fabric down into the glue all along the tip curve while applying some tension on the fabric tail (this is why you didn't cut this off yet, you need it to hang onto and pull to help form the fabric to the curve.....if you cut off the excess and try to form the fabric, you will end up with pleats that you cannot iron out).

The glue acts like hot melt glue when you do this and actually sticks down. Get as much as you can from the bottom side and then flip the frame over and finish it. You should be able to get all the pleats worked out right up to the cut line and a little past it.

Repeat this process all along the root rib tube.

Use a nice, sharp scissors and cut the excess fabric off. There is some detail work around the root rib tube that you'll have to screw with to get it to look good including the slit for the rudder control cable.

Final Gluing

Start gluing the fabric from the middle bracket out on both the LE and TE. The only way this worked for me was using my bare finger and a ½ inch brush doing about a 3 inch section at a time moving as fast as I could. The idea is to smash and work the 50/50 glue/MEK through the fabric into the glue layer on the spar. If it doesn't seem to be wetting out the glue layer underneath, dilute the mix with more MEK. Even though you heat-formed the fabric around the tip curves and root rib tube, it still needs to be glued so just make sure you've gone all the way around the entire frame once you start gluing. Save gluing the rib cap strips for the very last thing you do prior to applying the Poly Brush sealant. Go around the entire frame and iron out any topography over the entire frame glue area you just finished. The entire frame perimeter should be nice and smooth when you are done.

Ironing

Set the big iron to 225F, check that the washout block is in place and hit areas that are the least taut first. The idea here is to get somewhere close to even tension on the entire panel and remove all wrinkles and puckers in the fabric. I watched the inter rib pull down very closely as I did this to make sure I didn't go any further than necessary to remove wrinkles and get a reasonable fabric tension (whatever that is). I never had to go past 225F to get all the wrinkles out. You can go all the way up to 350F with no fabric degradation if you had to. Let the glue dry overnight.

Sealing

Mix the Poly Brush 3:1 with one part 65-75 Reducer. Use a stirring stick to get the filler off the bottom of the can of Poly Brush and get it completely stirred into the solvent. It is a whitish material and settles out really fast as gum on the bottom of the can. I brushed this on in a shop with the temp set to 65F where it was 50F outside and raining in Oregon and had no trouble with blushing. Used a 3 inch disposable natural bristle brush which had nice and soft bristles (the polyester ones were too stiff and not well tapered). Fast and easy was the trick. Avoid slopping it on. Brush out any bubbles that form since they will dry in the coat and only come out if you go back later with solvent which is a pain to do.

What's next

I had some ugly, oversized bracket slits after doing a poor job of properly locating them. I'll cut nice patches later and apply them with Poly Brush sealant over the first brush-on coat applied above

#12 Covering & Sealing The Wings

My apologies in advance for this “less polished” entry. Since this will be the third time through the covering process, I didn't take photos like I did initially so this will be almost all text in contrast to the scrapbook style I've post previously.  You might notice that I talk about bowing the frame aft in both the bottom blanket and top blanket process summaries.  I am doing this only because my frame tends to bow with even the slightest amount of span wise tension.  Although this counter spring didn't seem to help much, I thought it required an explanation.  My frame may be slightly weak from the impact when I crashed, even though I replaced the spar that broke.  I have not heard anyone else running into this problem and am surprised they haven't given the plan directions that tell you to "pull it as tight as you can" referring to stretching the fabric span wise.

Process summary:

1. block the TE near the bracket positions and at the tip and root. Apply enough pressure to slightly bow the spar aft.
2. clamp 15 inch section on both tip and root making sure to apply some chord-wise tension and snug up the span tension, maybe 1 pound force? And glue it down.
3. Tension the TE with clamps to about 1 pound then locate and cut bracket slits.
4. Glue down 8 inches of the center rib then repeat alternately between the tip and root until you do the last cap strips.
5. Go back to the center rib and work in the same manner toward either the TE or the LE until you reach the rib tape. Repeat on opposite side.
6. Spend some time now experimenting with what tension will do in various locations so you get a good feel on how to proceed. Especially watch what chord-wise tension does.
7. Detach any areas where you have wrinkles that can be removed with a slight amount of either span-wise or chord-wise tension. At this point the surface should be nearly wrinkle-free.
8. Clamp span tension in the spars and glue starting at the center and working out to the tip and root being very careful about chord-wise tension. Finish both spars working right onto the tip and root ribs. Iron these curved areas first with the small iron at 350 + to make the fabric conform prior to gluing.
   

Blanket cut to length and ready to be clamped.

The shot above shows Ernie Moreno (EAA Technical Counselor) looking at my bottom blanket as I attempt to stretch and clamp it prior to gluing.

Apply glue to spars along a strip well clear of the bottom surface tangent. The upper surface side of the spar can be glued well past the tangent since you'll be wrapping the cut edge over into the inside of the panel and you want that edge to lie down onto the spar away from the upper blanket when it's applied. It might be easiest to do the bottom glue line first and then flip the panel to continue the glue boundary around the top side of the spar to the inside of the panel. Use a couple of spring clamps to clamp approximately 15 inch section at the middle of the tip rib (curved aluminum tip piece) while applying a moderate amount of span-wise tension like maybe one pound of force. Wet the glue and smash the cloth into it smoothing out air pockets. At this point you have not yet trimmed off the extra cloth, this will be done after gluing the entire perimeter of the panel. Do the same on the tip after removing the clamps applying maybe a pound of force span-wise. Keep in mind, this is what I found I had to do to avoid dog-legging the spars and NOT what the plans say. The plans say to pull span wise tension as tight as you can. If I did that, I already know I'd dog-leg the spars all to hell. This may be because the spars in my frame were weakened in the crash and are not perfectly straight as they are in a virgin kit. Begin in the center and glue down approximately 8 inches of one of the ribs.  Clamp both ends of the TE with some span-wise tension and cut the bracket slots with a paddle tip soldering iron. I made templates (rectangle cut out of art board) and pencil traced the slots eyeballing their locations on the cloth. Repeat on LE. Some I got OK, others I missed and had to re-cut extra slots in the right location. There is probably a better process to locate the slits exactly. Work out each rib with 8 inch strips alternating between root and tip sides until you have all the ribs glued. Repeat toward either the LE or TE but stop short of gluing to the spars.

Spend a half hour or so and play with the cloth tension at the TE and LE watching what happens when you tension the cloth, especially chord-wise. Detach any really wrinkled areas if you get any and carefully apply slightly more span wise tension. When I finished here I had a fairly wrinkle-free bottom panel with very light span-wise and chord-wise tension. I estimated the bow to be about ¼ to ½ an inch along the entire spar. To finish, I clamped both ends of each spar and began gluing from the center out to the tip and then the root or visa versa...didn't matter. I took a lot of time here and tried to apply as little chord-wise tension as possible and still have most of the wrinkles gone. The problem areas are the tip curves and the chord airfoil curves in both the tip and root tubes. I tried to iron in the curve but had marginal success. I used an hand-held, infra red laser thermometer to monitor the iron temperatures I refer to throughout. Cut some slits and did what I could using the small iron at 345 F to finish off smashing the folds down to a reasonable level. Went around the perimeter and trimmed off the extra cloth ending up with a wrap somewhat past the tangent line (line where the finished cloth surface leaves the spar). Did this free hand with a razor blade. Finished off the panel by gluing down the trimmed edge (wet the glue that I had applied earlier). This was easier after I decided to flip the panel over. Went over the entire perimeter with the small iron at 345 smoothing out any bubbles or wrinkles. Sketched in a glue reference line for the top blanket to get approximately 1 ¼ inch cloth overlap. Applied glue to the area for the entire perimeter and all rib caps if they weren't done prior. Cut the next blanket to length. Clamp the cloth in place with span-wise tension ~0.5 – 1.0 pounds? Trim off the roller perf edge of the cloth along the LE. Set both the root and tip with a short glue tack spot making sure the edge of the cloth is on the pre-marked line to get the 1 ¼ inch of overlap. Note that this is also a deviation from plan directions which show overlapping 1/2” from the cloth tangent to the spar. I did not have to go this far to get the standard 1 inch overlap required on certified aircraft. This also avoids messes in the cloth right where it leaves the spar. I found it best to leave this area completely free of glue prior to doing the overlap of the final blanket. I did this by tracing in straight pencil lines defining a 1 inch wide band along both the TE and LE and applying the glue only in that area which can easily be located entirely on the spar surface and not go past the cloth tangent line.Process summary:

1. block the TE against the brackets and at both ends. Put enough pressure on it to pull the spar straight or slightly bowed aft (opposing what the frame does when it sees span-wise tension from the fabric)
2. tension the LE with clamps and then glue from the middle working outward.
3. Tension the TE span-wise but also applying some chord-wise tension and clamp so that the wrinkles as just barely out. Play with it from tip to root until all wrinkles are out.
4. Tack down the TE from the middle out. Remember to tack, not glue since you might need to release some areas before you're done.
5. Tack down the LE from the middle out.
6. Last, work right on around the tip curves and the root curve (not convinced pre-ironing these curves really helped)

Start at the middle of the LE and tack down the entire LE working outward toward either the root or the tip. Repeat on the opposite end. I used almost no tension here at all since I had already pulled the cloth to tension it along the span. It should lie flat and smooth with no wrinkles at all. Do the same thing on the TE except clamp the fabric using moderate span tension of about 1-2 pounds while at the same time applying slight chord-wise tension to just barely keep the wrinkles out. Play with this going back and forth from the root to the tip to get it nice and smooth. When it looks really good, go ahead and begin tacking down the TE starting at the middle of the spar and working out. Watch carefully as you do this as you will be using almost NO chord-wise tension. Even if you have some waves (these may show up right as the fabric leaves the spar) which I left if I could not get them to disappear without inducing inter-rib sag. I figure the iron will take out some of this and I may also come back and release some of the tack and re-glue later just prior to ironing. I am convinced that this procedure can produce an almost wrinkle-free covering without even ironing if you take your time. It does take some skill and patience though. I did get some inter-rib sag that was noticeable when viewing from the TE but the filament tape area was virtually sag-free prior to ironing. I had applied about 12-15 pounds of force aft at the middle of the TE using blocks screwed to the table about 3-4 ft inboard and then clamped blocks pushing forward toward the LE at the tip and root. I could not really apply enough pressure to move the spars such that I got a concave LE profile....it was almost exactly straight. I left this tension in the frame when I glued down the LE, TE, tip and root. When I released the tension, some very loose pockets formed near the tip at the back half of the chord. I plan to release these areas and re-glue. The relaxed frame looked to still have some sweep curve but I think it will work. Next, I set the iron at 220 F. Ended up watching both my new iron and Ernie's old beater and neither one held very close to a setting. I averaged 245 for the main wing ironing and ended up just barely getting the extra puckers and ripples out of the main panels in between ribs. I did not glue the ribs on the top surface prior to ironing. I think this was best. I plan to do that as the very last step before Poly Brush. I used the small iron set to about 360-380 and got good results ironing out bubbles and wrinkles in the overlapped areas. Also used it to roll the edges on the tip curves and the root rib curve and got them both down with very few wrinkles or folds. I was concerned that I might melt the cloth with the iron this hot but did not see any melting even when it measured 400 F. I was a bit shy on the glue line and long on trimming both the LE and TE overlap (at least in spots) making the glue joint look filled in was hard. It was really nice not to deal with over glued areas past the LE or TE since I left very little tension in the chord to pull these puckers out once they lay down in the excess glue. I did end up releasing one area in the LE and pulled out a fairly major pucker spanning an entire rib bay. It came out looking much better than when I started and after finishing it off with the small iron, it was really wrinkle-free. Rib sag came in to the tune of about ¼ to 3/8 inch on the aft edge of the tape line farthest in from the LE. I cannot envision getting it any better than this and still having a wrinkle-free covering. I had about as little chord-wise tension as absolutely possible and still have no wrinkles or puckers. When I pick up the tip allowing the panel to rest on the root end, there are multiple wavy wrinkles that appear which gives an idea of how loosely I have the sail strung. I applied 50/50 glue/MEK to the rib caps on the top side, holding slight pressure with the edge of my left palm while brushing on the glue with my right. I only had to keep the slight pressure on for 5-10 seconds to get the glue to hold the fabric on the cap strip. The shop was about 65 F when I was doing this. I detailed the surface after blocking in the washout using the small iron at 345 F. It was easy to take out nearly every little wrinkle.

Applying Poly Brush I found that froth formed from shaking the can and did not dissipate until halfway into the panel. I had to really watch for air bubbles as I brushed on the sealant and brush them out as I went. If I didn't do this, they end up being significant topography in the coating and will obviously be seen after painting the final coat. It is best to do the bottom first so that after drying overnight, you can flip the panel and not have the ribs hitting the table. I didn't do this on the first panel and it did not stick but better do the bottom first on the rest. I used a small brush, maybe 1 ½ inch wide? Could have used a wider brush. These were the $1 disposable natural bristle found at Home Depot. I tried a wider, polyester brush I got at Sherwin Williams paint store and found it was way too stiff and just did not work. I definitely prefer a pliable brush to do this. Ernie says I can use the iron after Poly Brush to clean up any wrinkles I miss.

These shots of the first brushed-on coat of sealant (Poly Brush) give you a rough view of the tension I have in the fabric.  There are no wrinkles at all when I've got the washout blocked in but if I lift the tip off the table onto the root spar ends, large span-wise wrinkles appear.  I am counting on final rigging to hold the wing panels flat just like I have it laying on the table here and it should be wrinkle-free.

Finally finished painting the trailer and putting all the door hardware back on.  Here it is at the shop, ready for the first wing panel to come off the table so I can move on to the right, upper wing panel.

Looks nice, doesn't it?  Really having regrets about not spending more time planning out the color scheme on the trailer.....primer white????, what was I thinking.  Now it's going to be a pain in the ass to change!  Probably will just leave it.

#11 Patching My Trainer Easy + Finish Work on Trailer

Repaired holes in Darrel Robbin's Easy using Clear Aerothane which was recommended by the tech at Polyfiber. Aerothane is a two part polyurethane recommended as a sealing coat on light weight sails and is supposed to stick well to nitrate dope surfaces (I wiped the areas with MEK to clean them prior to patching). I needed very little Aerothane to do these patches so mixed up small amounts using a teaspoon measuring set and stirring up the two-part mix in a small cup.

The Aerothane is being used as a glue and sealant in this process. I found the best way to do the patches was to apply the Aerothane around the perimeter of the patch area and let it set for about 20 minutes while I cut the patch out of scrap cloth. It was warm and dry when I did this and after 20 minutes the Aerothane was tacky. I carefully applied the patch trying to keep wrinkles and air pockets out of the patch job. Once I had pressed it into place, I went over it with wet Aerothane to finish sealing the patched area.

On the rudder corner, I could not get the fabric to stay down after wrapping it 90 degrees and ended up using masking tape to hold it in place while the Aerothane dried. This worked well and the tape came off without a problem.

It was interesting to note that on this glider, the lower bracket for the inboard diagonal strut cut a hole in the fabric when the wing folded down. I had to patch these areas on both upper wings and it was evident that Darrel had patched them previously. I noticed the bracket on one was misaligned on the wing strut such that the bracket was rotated out of plane toward the upper panel where the tear occurred. I bent it back into plane which should make it easier to install the diagonal strut during setup as well as eliminate any contact of the bracket with the wing surface. The only other thing I could do would be to pad this area such that the wings cannot fold completely together (maybe only a half inch would easily prevent any contact).

I fabricated an elastic cord loop to replace the small bungee cord that came with the kit to provide counter force on the rudder horn. Darrel had done this on one wing but it was missing on the one I fixed.

I realized that I need to get the trailer finished now since Darrel's glider is ready to fly but I can't transport it without the trailer. Started coating the trailer bed boards with epoxy resin in prep for bolting them to the frame.

Here is a shot of the main bracket I had to make to hold down the box to the trailer tongue.

The main beam I laminated two cedar 2X6's together, screwed them and coated them with epoxy. Here they are with the brackets in place to attach to the box.

The final shot of the trailer bed ready for the box to be lowered onto it.  You can see the brackets on the back side of the main front beam that I will lag bolt to the box.

Lowered the box onto the trailer bed and secured with the custom brackets I had fabricated. This photo shows one of the brackets under the box that attach it to the main beam at the tongue.

OK, ready for a trial run on the road to see if the shock brackets and axle hardware will  hold up to the stress. I've loaded it with Darrel's glider and the spring deflection looks like I'm in the ballpark at least.

Passed the test after a 20 mile cruise. Hit some fairly good bumps to make sure the shock system was functioning. I believe I could have set a bowl of soup on the box and not spilled any.....really amazing how smooth it rode over the bumps I hit. Even a railroad crossing at 50 mph was no problem! Nothing came loose, nothing broke....I'm in business!

Next up, I need to finish the rear access door, the one I'll be opening to get the glider in and out. I picked up 3 stainless piano hinges to mount on the bottom.

You can also see the cables that holds the door in a horizontal position when open so that I can easily pull the panels out of the box onto the open door in prep for positioning them to carry over to a setup area. I also found some nice adjustable cam buckle hardware that will make it quick and easy to open and close and get a good (hopefully dustproof) seal. These shots show the door in its closed position.

Now all this hardware needs to come off again in prep for painting the entire box plus both front and rear access doors. I should probably put this off until I can get the wings finished. I'll need to talk to the tech advisor about fall weather affecting the covering process for the wing panels. I could probably get away with more weather variations painting the box than covering the wings so it would make sense to start on them first.